Friday, September 09, 2011

Goodbye, Serena


I think I’ll miss our evening walks the most.

The time could vary -- it could be 10p, it could be midnight, or if I was watching a late-night degenerate special on ESPN, it could be much later. Serena would wait patiently until I said, “c’mon Sweet Pea, time to go walking.” Then she would scamper out from whatever spot in the bedroom she was in and head for the door.

Our younger dog, Bernice, hates the late-night walk as much as Serena looked forward to it. I’m fairly certain Bernice taught herself tremendous bladder control to avoid stepping out into the dreaded Manhattan night.

Bernice knows something’s wrong. It probably doesn’t help that I’m still crying like a fool, more than 24 hours since Serena died.


She was getting up in age, but otherwise in good decent health. Our old girl’s body simply betrayed her.

In less than two weeks, paralyzing seizures robbed Serena of most of her bodily functions. As the accidents increased, the look on her eyes would seem to be saying, ‘I’m sorry for the mess, daddy. I can’t control it.’

I knew she was in trouble when she was too weak to muster the slightest bit of excitement when I walked through the door Wednesday.

That’s one of the 84,567 reasons why dogs rule. Their purpose in life is to make your life better. They live to give you a hero’s welcome. And Serena’s Welcome Home’s were epic.

I could be gone an hour or a week, and Serena would greet me the same way: with unrestrained joy and slobber knocker kisses. Seriously, the dog’s tongue was a force of nature. It was like a red carpet.

Serena was with me through a half-dozen job changes (some less voluntary than others), and many other trying times. As well as all the great moments. It’s impossible for me to remember my life without Serena in it.

She was born two days before Cindi and I were married. We got her six weeks later, the first of many great decisions my wife has made for us the past dozen years.

She was there for so many life-changing moments; our all-in move to NYC a few weeks after 9/11; getting her a sister – Bernice, which Serena struggled to adjust to for awhile, to be honest; And the biggest moment: The birth of Baby Alexia last year.


Serena was there for all of it. She was the rock-steady backbeat in our life song.

Through all our dinners and parties, she was always there – usually at one of our friends’ feet, hoping to use that impossibly cute face to score some snacks (it usually worked).

We desperately wanted Alexia to have enough time with Serena to form memories of her. As we sat in the vet’s office, the realization that pictures would be all that Alexia would have of our beautiful little Bum…. well, it crushed me.

[Side note: Bum was one of Serena’s many nicknames, because she never met a nap she couldn’t take.]

We made the only decision left to make.

We were there with Alexia because we had to rush her to the vet, and there was no way Cindi wasn’t going to be there for Serena. She loved her as much as I did. We sat in the room with her, shared a few memories of this wonderful, quirky, cantankerous dog that brought us so much joy. But mostly we just cried.

Then something incredible happened.

Serena and Alexia haven’t had much interaction. At her age, Serena just wasn’t up for getting manhandled by an infant. But as Cindi said goodbye, Alexia reached out and put her tiny hand on Serena’s head. It was a beautiful moment, and I’m grateful that I held it together long enough to take a picture.

Then it was time.

I sat there and stared at my loyal companion. I kissed her cheek like I’d done countless times before. I did what I imagine most people do at the death beds of their loved ones; I said I was sorry, for those times I lost my temper with her, for not giving her as much attention as I could have.

Our vet, who’s cared for Serena for years, administered the injection.

I told Serena I loved her one last time. I wish I could say that she gave me a sign that those words registered, but the truth is, I saw nothing in those big, soulful eyes. The illness had taken its toll.

Then she was gone.

As I stared at her lifeless body, the tears flowed uncontrollably. I found myself hoping that somehow, my words had registered at some level.

I’m not an idiot, and I’m not insane. I know the mental capacity of dogs. I’m also not very spiritual.

But I’ll be damned if I wasn’t praying that somehow, Serena understood how much she meant to me. That she knew that she will always carry a piece of my heart, from this life, into whatever comes next.

So long, Sweet Pea.

Sunday, April 10, 2011

MAKING ROOM - updated!

The great Avila purge continues ...
er, of my excess crap... err...OK, I mean all the dvds & GNs cluttering up our apartment.

The list below is what is still available + some new additions that I dug up. Same rules apply: Max 5 items per person, first come first serve, and you probably should be local (in NYC) because I'm not dealing with the expense & hassle of shipping.

NEW ADDITIONS:

DVDS:

Rocky 2-disc collectors set
Road to perdition
Rock n Roll high school blu
Caprica premiere press kit
Parks and recreation pilot screener
Waltz with bashir
La Mission
Amazing journey: the story of The Who
Mister lonely
Alvin and the chipmunks
guy and Madeleine on a Park Bench
CSNY/Deja vu
The Dark Crystal
Symbionic Titans season premiere
Clone Wars S:3 premiere
Mafioso
Spectacular Spider-Man: attack of the lizard
Freedom writers
Spinning into butter
Downloading Nancy
Hunger
Goodbye Solo
The Final Season
Margot at the Wedding
Meatloaf: in search of paradise
Special
Provoked
Chevolution
The Nanny Express
FF: Rise of the Silver Surfer 2- discs
Flashbacks of a fool
Gotta dance
Quid pro quo
Grace is Gone
Paprika
Sharkwater
Nana
Jesus Camp
Adam resurrected
Delgo
BAtman: Gotham Knight
Table for 3
I bring what I love


GNs:
Superman on the couch book
Burnout -mind gn
Captain Freedom novel
Sentences: the Life of mr Grimm hc
Waltz with bashir Gn

Xbox 360 games:
Madden 09
Madden 10
Call of duty 2 special Ed
Scene it? Trivia game

DVDs:

Sex and the city movie
Sopranos s:1
Z rock IFC comedy series screener
My breakfast w/blassie
Jockeys (animal planet)
Lookin to Get Out
Van Wilder:freshman year
Major league
Eddie Murphy raw
Morning light doc
Dark Streets
Blade Runner 5-disc HD DVD set
Son of Kong
Mighty Joe Young
Tennessee
Henry Poole is Here
Little Red Riding Hood
Failure to launch
Bounce
Human contract
Clash of the titans
Penn and Teller BS - 6th season
Table for 3
Jo Koy don't make Jim angry
Boogie Man - lee Atwater story
Lost Treasure of the Grand Canyon
SW Clone Wars - Rise of the Bounty Hunters press kit
Louis CL - Hilarious
Ghost hunters Intl press kit
Black panther cartoon series
Ghost Hunt novel
Suburbia (roger corman)
Spiderman vs Doc Ock
Spiderman - ultimate villain showdown
Gamera - the giant monster
Stella - live in Boston
The Beatles - help!
Boffo -HBO/variety doc
The Narrows
Blast!
Ping Pong playa
Five dollars a day
Bigger stronger Faster
Lions for lambs
Kobe doin work
Lymelife
Homecoming
Hounddog
Close Encounters of 3rd kind doc
Constantines sword
Fog city mavericks
Forever strong
Diminished Capacity
I Sell the Dead
The missing person
Ball Don't lie
What goes up
American swing
Playground
the Cake eaters
The garden
Stranded
Nobel son
Running the sahara
Herb and Dorothy
Reporter
The 11th hour
The wild and wonderful whites of west Virginia
Cherry blossoms
Wonder Woman animated film
Tinkerbell 2 Blu
Down to the bone
24: redemption tv movie
Black hole SYFY movie
The Escapist
Tribute to Heath ledger
St trinians
Young Indy documentaries
Bart Got a Room
Get Low
Survival of the Dead
Toe to Toe
Shutter
Valhalla Rising


GAMES:

Mortal combat vs DC uni
Madden 08 x360
Lego rock band x360
Comedy central hasselhoff roast

GRAPHIC NOVELS:

Plastic Man on the lam - Kyle baker
Outsiders - looking for trouble
Catwoman - 9 lives of a feline fatale
Ultimate guide to GI Joe
Dark Entries - Ian Rankin
Ultimate Spidey vol 12
Gotham Central half a life
STAR WARS Infinities: the empire strikes back
WE3 - vertigo
Prelude to Infinite Crisis
100%

Saturday, April 09, 2011

Making Room

I have way too much crap.

Seriously. Comics & TPBs, DVDs, CDs & various other pop culturally kitschy but otherwise useless items are taking up a serious amount of square footage. We're fortunate to have some space, but with little Alexia now in the picture, the Wife's evil eye has turned towards me much too often.

So I'm having a clearance sale. Except I'm not selling any of this stuff. It's easier to offer it up for free than to eBay it and then have to deal with the hassle o mailing things to the militia members in Scratch-n-Sniff, Idaho. Most are DVDS & screeners, a few games, some GNs. So here's how this goes...


First come, first serve. See something you like? email me/twitter me/text me if you have my #. If multiple people want the same item, then whoever reached out to me first gets it. Then you can either pick it up or i'll bring it to you the next time we're going to the same screening or when we get drinks.

Max of 5 items per person...

THE LIST (keep in mind I'll be adding more items as I keep sorting stuff out):

DVDs:

Sex and the city movie
Sopranos s:1
Z rock IFC comedy series screener
Sleeping beauty
The Game
My breakfast w/blassie
Jockeys (animal planet)
Lookin to Get Out
Van Wilder:freshman year
Major league
Eddie Murphy raw
Morning light doc
Dark Streets
Blade Runner 5-disc HD DVD set
Son of Kong
Mighty Joe Young
Tennessee
Henry Poole is Here
Little Red Riding Hood
Failure to launch
Bounce
Sat nite fever 30 anniversary Ed
Human contract
Clash of the titans
Penn and Teller BS - 6th season
Table for 3
Jo Koy don't make Jim angry
Boogie Man - lee Atwater story
Lost Treasure of the Grand Canyon
SW Clone Wars - Rise of the Bounty Hunters press kit
Louis CL - Hilarious
Ghost hunters Intl press kit
Black panther cartoon series
Ghost Hunt novel
Suburbia (roger corman)
Spiderman vs Doc Ock
Spiderman - ultimate villain showdown
Gamera - the giant monster
Stella - live in Boston
The Beatles - help!
Boffo -HBO/variety doc
Grace
The Narrows
Blast!
Ping Pong playa
Education of Charlie banks
Five dollars a day
Bigger stronger Faster
IronMan Blu
Lions for lambs
Kobe doin work
Lymelife
Homecoming
Hounddog
Close Encounters of 3rd kind doc
Dear Zachary
Constantines sword
Fog city mavericks
Forever strong
Diminished Capacity
I Sell the Dead
The missing person
Ball Don't lie
What goes up
American swing
Playground
the Cake eaters
The garden
Handsome harry
Diving bell and the butterfly
Stranded
Nobel son
Running the sahara
Herb and Dorothy
The kite runner
Reporter
Hunger
The 11th hour
The wild and wonderful whites of west Virginia
Cherry blossoms
Wonder Woman animated film
Sleep Dealer
Tinkerbell 2 Blu
Down to the bone
24: redemption tv movie
Black hole SYFY movie
The Escapist
Tribute to Heath ledger
St trinians
Dead snow
Young Indy documentaries
Bart Got a Room
Get Low
Survival of the Dead
Toe to Toe
Shutter
Valhalla Rising


GAMES:

Mortal combat vs DC uni
Madden 08 x360
Lego rock band x360
Comedy central hasselhoff roast

GRAPHIC NOVELS:

Plastic Man on the lam - Kyle baker
Outsiders - looking for trouble
Catwoman - 9 lives of a feline fatale
Ultimate guide to GI Joe
Dark Entries - Ian Rankin
Ultimate Spidey vol 12
Gotham Central half a life
STAR WARS Infinities: the empire strikes back
WE3 - vertigo
Prelude to Infinite Crisis
100%

Tuesday, January 25, 2011

What Makes A Good Movie...To You?


I had an interesting conversation with a good friend of mine today after the Oscar nominations were announced. He and I share a taste for quite a few movies, not the least of which is a borderline-unhealthy obsession with Michael Mann's Heat.

However, we part ways on quite a few films. The Social Network is one such picture. Like millions of other people today, we debated the merits of today's nominees, the curious and the ridiculous oversights (How was Daft Punk not tabbed for its Tron: Legacy soundtrack?)


Anyway, my friend liked TSN, but it seems the relentless hype surrounding the film and its Oscar possibilities - which has been discussed since before it was even released - has kind of soured him on the movie. I really liked TSN too, but I don't think it's the best film of the year, either. Animal Kingdom is my choice for top film of 2010, FWIW.

As we debated the merits of David Fincher's movie, we did what we normally do and take a detour down another argumentative path. Somehow we wound up arguing over whether Jerry Maguire is overrated. My friend thinks so; he said TSN is the most overrated picture since JM, a statement I found utterly preposterous. Then he crossed the line by saying Almost Famous isn't all its cracked up to be, either.

That drove me nuts, because that happens to be one of my most prized films, an all-time Top 10 for me. I've written about my love for Almost Famous before; to these eyes, it's the best coming-of-age picture ever. William Miller is a teen avatar for every Geek out there who became immersed in their passion.

When I asked my buddy why he didn't think the movie was all that I felt it was, he said it was good, but not earth-shattering. For him, a great movie needs amazing performances, outstanding editing and/or cinematography to rise above the level of just solid entertainment. A good story isn't enough for him.

I found this an interesting answer. One, because to me, a compelling story told effectively is often enough to elevate a movie from good to great. But also because it made me wonder what specific criteria we all have for determining a 'great' film.

Is it the story?

Is it the cinematography?

Is it the acting?

Is it the ambition and scope of the picture?

Do any of the above carry more weight than another? Or is it a combination that help us make up our mind about a movie?

For me, it begins and ends with the story. If I'm not invested in the journey, then the film has failed. Then again, if I do get invested, then that means the actors have done their job too, and no doubt, the director.

How do you decide what's a great movie? I'd like to know...

BTW, I thought The Town was jobbed by the Academy out of a Best Picture slot. That will start another argument with my buddy.

Because he couldn't stand that movie.

(follow me on twitter, why don't you?)

Thursday, January 14, 2010

Facing the (Chin) Music

I like Jay Leno.

I realize admitting you're a Leno fan this week is about as popular as Lane Kiffin is in Knoxville right now. But I have enjoyed Leno's monologue for years. At the end of a long day, I like easy laughs with telegraphed punch lines. Jaywalking and Headlines crack me up, too. Why? Because stupid people who think Las Vegas is the nation's capital and silly typos on menus and newspaper ads make me laugh. Yep, I embrace the lowest common denominator of comedy. Sue me.

I'm also a big Conan fan. I don't mean to come across like one of those guys who says he cheers for the both the Yankees and the Mets. But I enjoy Conan's wry humor and his clever skits as much as I do Leno's silly schtick. That's the beauty of comedy. It's subjective and often dependent on expectation and frame of mind, so you can find all sorts of stuff to laugh at, whether it be Fred Willard or a Gaseous Weiner.

What I'm having trouble with during this entire brouhaha is how Conan has become history's first gazillionaire martryr. I'm sorry, I don't buy it.

Not that Conan and his supporters don't have a right to be furious over the shabby way their late-night idol has been treated. He has been humiliated and undermined during this fiasco, due in large part to the bumbling machinations of one of the most inept corporate leadership teams in the history of broadcasting (full disclosure: I worked for NBC at 30 Rock for 6+ years. I had a front-row seat to the ineptness). The real villains here are the NBC executives who showed little patience and even less foresight with the late-night embroglio.

But what Team Conan fails to or refuses to see is that their fearless leader isn't some poor, unwitting victim in all this. He brought it on himself.

O'Brien was the one who set this entire bizarre sequence of events in motion when, back in 2004, he gave NBC the ultimatum that if he doesn't get "The Tonight Show" by a specific date, he would walk. That spurred Jeff Zucker to make O'Brien the 'host in waiting,' and put a countdown clock on Leno, a workaholic who had no desire to step down when the time came.

Leno is being shredded in the court of public opinion as the puppet master orchestrating this entire embarrassing mess. Fair enough. This isn't his first rodeo and he knows how the game is played.

My question is, where was all the moral outrage five years ago, calling Conan out for strong-arming his way into "The Tonight Show?" Is that move really that much different than what Leno is being accused of doing to Conan right now?

It's not like Leno has been hiding his displeasure over how he was uprooted from his old job. When asked by 'Broadcasting & Cable' back in November whether he would be interested in doing "The Tonight Show" again, Leno replied, "If it were offered to me, would I take it? If that's what they wanted to do, sure."

Tactful? No. Classy? Not really. But it was honest. And if you're Jay Leno, why should you give a rat's ass about what happens to the guy who openly campaigned for, and ultimately got, your job? Still, those villifying him for some Norman Osborn-esque plot to retake "The Tonight Show" throne is a reach. Because all he really had to do was just sit back and let things play out.

It seems fairly obvious by now that "The Jay Leno Show" was not just Team Zucker's way of keeping Leno from bolting to ABC, but an insurance policy that kept Jay around the network in case Conan didn't work out as host of "The Tonight Show."

The warning signs were there for quite some time.

During his stretch run on "Late Night," he was having trouble fending off Craig Ferguson. Yes, "The Jay Leno Show" decimated NBC's 11pm local news ratings, which in turn greatly impacted "The Tonight Show." And no, seven months was not a fair or reasonable amount of time to give the show time to find its way.

You know what? It's called Show Business, not Show Fairness.

It's the kind of enterprise where a guy can dominate his time period, make his bosses gobs of money, and still be forced out the door. And it's NBC, a company that has shown absolutely no signs of making sensible or honorable decisions where its programming is concerned. Ask Aaron Sorkin or John Wells about that.

Then there's the one not-so-tiny fact being overlooked in nearly all the 'Woe is Conan' stories, and that's that his "Tonight Show" wasn't very good. Whether it was the studio, the West Coast setting or the subtle changes to the show's formula, Conan didn't look or feel comfortable at 11:35, and the show suffered for it. He suffered massive ratings declines to Letterman and until he went rogue this week against his own network, showed few signs of bouncing back.

Ultimately, Conan orchestrated his own undoing simply by putting his faith in the same people who had shafted Leno in the first place. The same executives who alienated Hollywood's creative community by cutting back on prime-time dramas and pilots so they could 'manage for margins.' It's a knee-jerk regime that slaps band aids on wounds that need surgery and long-term treatment.

It's like the mistress having an affair with a married man, giving the guy the ultimatum. It's either me or your older, fatter wife. It's a lose-lose for the mistress, because even if the guy chooses her, how can she ever trust him to not cheat on her with another woman? After seeing how Leno was treated, a guy who was rewarded for years of top-rated service by being forced out and then placated with a 'managing for margins' show guaranteed to fail, how could Conan and his people think this couldn't happen to them?

Conan obviously didn't pay close attention to the pile of award season screeners Hollywood sent out last month, or he would have seen all this coming. The Universal movie "It's Complicated" co-stars "30 Rock's" Alec Baldwin as a guy who cheats on the mistress he married...with the wife he had cheated on (Meryl Streep) with the mistress. Shockingly, it doesn't end well.

The same goes for NBC's late-night mess. The network

Leno's ' Average Joe' public image is enduring potentially permanent damage as this all plays out. The rival talk shows are lambasting him without mercy. How that impacts the ratings of his next stint hosting "The Tonight Show" is anyone's guess.

Conan's most loyal followers will rage and tweet with righteous anger once he's finally off the air (presumably next week), as their hero takes a multi-million dollar buyout and plots his next move.

Perhaps the most aggravating aspect of all this for Team Conan - and perhaps to O'Brien himself -- is that the Harvard-educated comedy wunderkind was ultimately out-smarted by the blue-collar, unhip, dinosaur.

Thursday, August 13, 2009

Summer Daze

It's been a rather eventful summer for me. Besides the usual summer movie coverage craziness - which includes writing about the BEST film of the summer, "District 9" [read my review HERE], I also found myself out of work.

After four successful years, NBC cancelled the show I produced, REEL TALK. No more debating with Jeffrey and Alison which movies or guests should/would make the show, or explaining the difference between Mar-Vell Comics and Marvel Comics (the former is a superhero, the other is the publisher,..). No more uncomfortable moments ordering a turkey & cheese wrap from Johnny the Sandwich Guy at the NBC Commissary, and hoping he doesn't sabotage it. After six years working for NBC at 30 Rock, I was becoming one of the Dept. of Labor's key statistics.

Er...that sucked pterodactyl 'nads, to be perfectly honest.

It still does, but that's OK. As many dear friends of mine reminded, one door opens, another blah, blah, blah...

I wouldn't exactly describe myself at the proverbial crossroads. I'm certainly not looking to switch careers, go back to school (God knows I don't want to do that) or anything so drastic. I've been fortunate to have enjoyed a decent amount of success in my TV career, with REEL TALK being the highlight thus far. I lost my job because my show was cancelled. Stinks, and I may not like it, but I understand. That's what shows do. They get cancelled. I'm not very worried about landing something else.

Positive thinking? Absolutely. Confident? Without a doubt. Delusional? Perhaps. But that's my story and I'm sticking to it.

No, when I got the heave-ho, I decided to approach my 'summer hiatus' as a chance to recharge my creative batteries. Because while i loved working on RT, the truth is, after four years I could do the show in my sleep. And as budgets were slashed and opportunities to do various specials, on-location shows and other outside-the-box programming were slowly phased out, it was occasionally monotonous. Nature of the beast for any job, in any profession, I suppose.

Anyway, I told myself I would try some new things, would sharpen certain skills - such as writing - that have atrophied during the last eight years, most of which I've spent formulating grammatically incorrect copy.

[Not my fault. It's what we do in TV. We fracture sentences and phrases like Steven Seagal smashed Jamaican gang member bones in "Marked for Death" - with impunity and with no regard for lasting damage.]

I've been doing a lot of writing for the website Newsarama, a very popular pop culture site that specializes in comic book news and anything else that touches that particular genre. Generally I cover movies, an obvious choice. But I hope to do more in the TV and animation field and whatever else they'll let me get away with. With any luck, the message board haters will light me up with their fanboy brio (thanks Marc).

Aside from that, I've made myself a promise to accomplish 3 specific things before the end of this year. Because if there's one thing I do well, it's procrastinate. So here goes:

1) Finish one of the large handfuls of screenplays I've started and tossed aside over the past decade. No, I haven't actually tossed them aside, because that implies that I'm printing pages. That's not very eco-friendly. i mean, tossed aside virtually, in some folder on my iBook. Don't know if there's even a good idea in any of those incomplete ideas, but I'm considering it just an exercise in completionism. Why, I do believe I've made up a word!

2) Complete a script for a comic book proposal, and pitch it to someone, anyone. I'm a geek, have been since before I could take myself to the bathroom. For someone whose first memorized words were likely "Stan Lee Presents," cracking the comics business is the ultimate goal. First things first. Realize idea, commit idea. Execute idea.

3) Get a job. C'mon, my wife reads this blog (at least i hope she does).

Now that I've blogified my Fall resolutions, I have no choice but to actually follow through. Keep me honest.

[and in case you didn't notice, blogified makes 2 new words coined in 1 post. Eat my vocabulary, punks!]

Next time, I think I'll discuss the fun I had getting my ass kicked by a bull while taping a reality show in France.

Tuesday, June 16, 2009

Bad Trailering A Hollywood Epidemic

Years ago, before it became 'the Ryan Seacrest and his stable of crappy reality shows channel,' E! used to air a fun show hosted by Todd Newton, called "Coming Attractions." His tag line was that it spotlighted 'the best part about going to the movies - the trailers!' He had a point, back then. Getting an early look at what's coming down the pike used to be one of the big treats to a day or night at the cinema.

Not anymore.

Movie trailers have become infuriatingly spoiler-laden, cinematic killjoys that give away key plot points and basically sap much of the need to actually see the movie it's supposed to be encouraging people to see. It's gotten so bad I find myself trying to time my arrival to the theater so that I miss everything but the fake crying baby sound that tells the moron in the 6th row aisle seat to turn off his Blackberry.

This has been bothering me for years. In fact, I can pinpoint it to a specific trailer, 1998's "The Negotiator." I remember seeing the spot for the first time in Miami, at the AMC at Mall of the Americas. I vividly recall thinking, as the trailer unspooled, how cool this movie looked. Samuel L. Jackson and Kevin Spacey butting heads in an action thriller, with guns ablazing, corrupt cops, and in a high-rise? I'm there Opening Day! How often do you see A-list stars oppose each other in a big-budget film, I thought?

And then, the trailer gave away the big twist, that these two wind up on the same side. See for yourself.



How annoyed must I have been at the Spoiler-ish nature of that trailer that I still remember, more than 10 years later, how much it ticked me off...yet I have not the foggiest idea which film it preceded?

Two especially egregious examples of bad trailering have occurred this summer, involving the same studio. Warner Bros.' decision to include a MAJOR plot twist from "Terminator Salvation" in a trailer is one of the dumbest Hollywood decisions this year (although a clear second to Universal's decision to greenlight "Land of the Lost"). Whichever schmendrake at the studio said, "let's reveal that Sam Worthington is part machine in the trailer" should be forced to work the craft services table on the set of the "Hotel for Dogs" sequel.

[It's hinted strongly around 1:00 into the trailer, then flat-out Spoiled around the 2:20 mark. And don't bother getting mad at me for Spoiling it for you. You lose the right to complain about that stuff when the film's been out for a few week.]




Why does the fact that studios can't seem to help themselves from Spoiling the surprise twist get me so upset?

Because seeing the Next Big Thing, or at least 2:30 of it, gets the juices going for movie fans unlike any other. I'm sure I'm not the only one who starts nervously tapping his fingers on the armrest when a familiar logo, such as Lucasfilm, pops up suddenly onscreen, heralding a preview for an eagerly awaited epic. Remember the Geek-bumps you felt when you saw the trailer for "The Phantom Menace" for the very first time? The first time you viewed the teaser for "Kingdom of the Crystal Skull?"

So what if both movies turned out to be crap? We didn't know that when we glimpsed the advance reels. Our interest was piqued. Anticipation built. Lines formed outside theaters. Unrealistic expectations were formed. Many not-so collectible collector's items were sold and stacked unopened in parents' basements.

What I'm saying is, those trailers DID THEIR JOBS.

Trailers are teasers, appetizers meant to water your cinema taste buds and expand your belly in advance of a film feast.

Which gets me to my other example of Bad Trailering by the WB, involving this year's breakout hit, "The Hangover."

I saw "The Hangover" back in April, two months before it hit theaters on its way to nearly $170 million box office to date (as of this writing). I hadn't seen a single ad for it. About all I knew about the film was that early online buzz was strong and the annoying guy from "Alias" and "Wedding Crashers" was part of the cast.

So after seeing it - and LMAO during just about the entire movie - I started recommending it to everyone who asked me about it. Jeffrey Lyons and Alison Bailes did the same during their review on my sadly-cancelled movie show REEL TALK.

You know what else I was telling everyone? DON'T WATCH THE TRAILERS! Change the channel the moment one of the ads (and there were LOTS of TV spots) came on, because the spots include just about every wild twist in the movie. Don't believe me? Watch it below.



Now some may argue this is an example of why reveal-heavy trailers work. After all, "The Hangover" is on its way to becoming the biggest-grossing comedy of the past decade, with a sequel already in the works. But for those in the audience who saw the trailers, who know Mike Tyson is going to be singing Phil Collins and punching someone out and know there's a Tiger in the bathroom, a baby in the closet and a naked Asian guy in the trunk, they missed out on the NO IDEA LAUGH. What's that?

The laugh that comes when something comes so thoroughly out of left field you nearly pop a button in your 501s guffawing. I was lucky enough to experience that with "The Hangover." I wonder how many people were able to do the same.

I can't stand watching movie trailers anymore. Why? Because less is more when it comes to teasers, and because I still enjoy surprises, especially at the theater. Modern movie trailers seem designed to eliminate that element of the moviegoing experience. For the life of me, I can't fathom why.

Incidentally, I have never bothered to see "The Negotiator." Don't need to. I saw the stinkin' trailer.